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Four and a half years since his last acclaimed solo record (
Donkey LP), Ryan Gustafson, as The Dead Tongues, returns to his strength with the spectacular
Desert.
The wait was worth it.
Desert is stewed to perfection. It’d be easy to group this record in with all the other dark Americana coming out of the south recently, but it sets itself apart with brighter harmonies reminiscent of 70s folk rock accented with hints of Gustufson’s experiences in Max Indian, The Light Pines, Mandolin Orange, and his experimental project The Daughter Is Ambiguous.
Gustafson is clearly the star, but the organ steals some spotlight on
Desert. The instrument is allowed a ton of range from low-key, soulful accenting (“Exit Song”) to soaring lead voice (“The Desert”).