In Vintage 21 (formerly the Longview Center), Tony Conrad performed a fascinating set that could be used as an educational tool for what is good and bad experimental music.
The good was on display in Tony Conrad’s solo performance. The master violin player shook the foundations of the old church with constantly building tones. He played them with direction and enthusiasm. He explored the sound he created, altered it purposefully, and responded based on the results. Through experimentation he revealed deeper qualities of the notes and tones.
When he finished, Conrad pumped his fist in the air several times in triumph and the audience washed him in applause. At its finest, experimental music can make you fist pump just like rock and roll or hip hop.
